August 2007

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RIP: Hilly Kristal

, 75, Catalyst for Punk at CBGB, Dies. Hilly Kristal founded CBGB, the Bowery bar that became the cradle of New York punk and art-rock in the 1970s.

More here New york Times

Iggy Pop: I’ll tell you about punk rock: punk rock is a word used by dilettantes and, uh… and, uh… heartless manipulators, about music… that takes up the energies, and the bodies, and the hearts and the souls and the time and the minds, of young men, who give what they have to it, and give everything they have to it. And it’s a… it’s a term that’s based on contempt; it’s a term that’s based on fashion, style, elitism, satanism, and, everything that’s rotten about rock ‘n’ roll. I don’t know Johnny Rotten.. but I’m sure, I’m sure he puts as much blood and sweat into what he does as Sigmund Freud did. You see, what, what sounds to you like a big load of trashy old noise… is in fact… the brilliant music of a genius… myself. And that music is so powerful, that it’s quite beyond my control. And, ah… when I’m in the grips of it, I don’t feel pleasure and I don’t feel pain, either physically or emotionally. Do you understand what I’m talking about? Have you ever, have you ever felt like that? When you just, when you just, you couldn’t feel anything, and you didn’t want to either. You know, like that? Do you understand what I’m saying, sir?

At Amazon Iggy Pop – Open Up and Bleed. The Biograph

Journey to the End of the Night (Voyage au bout de la nuit, 1932) is the first novel of Louis-Ferdinand Céline.

This semi-autobiographical work follows antihero Ferdinand Bardamu through his involvement in World War I, colonial Africa, and post-WWI America (where he works for the Ford Motor Company), returning in the second half of the work to France, where he becomes a medical doctor and sets up a practice in a poor Paris suburb, the fictional La Garenne-Rancy. The novel also satirizes the medical profession and the vocation of scientific research. The disparate elements of the work are linked together by recurrent encounters with Léon Robinson, a hapless character whose experiences parallel, to some extent, those of Bardamu.

As its title suggests, Voyage au bout de la nuit is a dark, nihilistic novel of savage, exultant misanthropy, leavened, however, with an ebulliently cynical humour. Céline expresses an almost unrelieved pessimism with regard to human nature, human institutions, society, and life in general. Towards the end of the book, the narrator Bardamu, who is working at an insane asylum, remarks:

…I cannot refrain from doubting that there exist any genuine realizations of our deepest character except war and illness, those two infinities of nightmare,”

A Buddhist Manual for Spiritual Revolutionariesby Noah Levine

Foucault’s Pendulum and The Name of the Roseby Umberto Eco.